A disc of true volcanic obsidian from Michoacán, ground flat and lapped by hand to a mirror so dark it appears to swallow light rather than return it — no true reflection, only a faint suggestion of depth where a face should be. It comes fitted into a simple wooden stand, heavy enough at 260 to 320 grams to sit steady on a table without tipping.
Mirrors of polished obsidian were cut in Mesoamerica long before the Spanish arrived, associated there with Tezcatlipoca, the smoking mirror god, and later carried across the Atlantic as curiosities and instruments both — Elizabethan England's Dr. John Dee is recorded keeping an Aztec obsidian mirror at court for his own scrying practice, an object that survives today in the British Museum. Folklore across both traditions holds the black mirror as a tool of far-seeing, used to look past the surface of things.
Set it in low or candlelit conditions rather than daylight, and let the eye rest unfocused on the glass rather than search it directly — some practices call for a single lit candle placed just out of the mirror's own reflection.
Sold as a curiosity — no medical or scientific claims are made. What appears in the glass, if anything, is a matter of the viewer's own reading.
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